THE SIGNATURE ART PRIZE GALA WINNERS
Announcing the Winners of the 2021 Signature Art Prize!
On Thursday the 23rd September, we were delighted to be joined by the 30 finalist artists from the 2021 Signature Art Prize, their family and friends and friends and family of the gallery at the Bankside Hotel, London. We can’t even begin to tell you how much the evening meant to us!
This year’s entrants all created their works during a once in a generation experience and many were still at university when the world changed. We were not sure what effect this would have on the artists or their art but the outcome has been one of inspirational creativity as the artists responded to not only the theme of the Prize ‘depicting their signature style’ but their experiences, expectations, understanding and ultimately realisation of the world we have lived in. Whilst some of the pieces here tonight directly and importantly relate to events we have experienced, others provide a more nuanced sense of what it has been like to be an emerging contemporary artist today.
The quality of the works selected by the judges yet again amazed us, as has the concepts behind the artworks and those they inspire in us the viewer. We hope that you will enjoy seeing the finalists and discovering the winners of each category.
PAINTING WINNER
THE PAINTING FINALISTS
Christopher Grisley, Eve Smith, Imogen Knight, Ken Clarry, Alice Miller, Julia Silvester
THE PHOTOGRAPHY & FILM WINNER
Heun Jung Kim, Neelam Bhullar, Marcel Top, Nigel Goldsmith, Tom Newhouse
THE SCULPTURE WINNER
THE SCULPTURE FINALISTS
Shuai Zhang, Yanshan Ou, Bhairavi Yogasivam, Sharon Kwok, Juan Ramos
THE DRAWING AND PRINTMAKING WINNER
Elyse Blackshaw, Lena Yokoyama, Pippa Healy, Karl-Peter Penke, Esther Schnerr,
Liorah Tchiprout
THE PEOPLE'S CHOICE WINNER
Margo van Rooyen
Royal College of Art, MA Print,
'Discarded 20, Constellation 1'
100 × 600 × 100 cm
Used Photolithography Plates and Aerosol
'Much of my work shows my preoccupation with waste production. My work has always been simplistic and minimal, only containing what is necessary, but this has now upgraded to my fear of producing more waste that will fill up landfills and strangle our wildlife and oceans. The photolithographic plates used for Discarded were destined for the trash. Incidentally lithography is one of the mediums I am most fond of. I found that the plates were the perfect material to recreate my lithographs in three dimensional form without creating more waste. Each plate is bent and detailed by hand and the end sculpture shown is made of 20 individual pieces. The work is put together on site and it would be a great challenge to recreate it in the same form again. The site specific nature of the work is so important and plays a key role in the energy of the work. It has been shown in two other exhibitions (besides that of the one in the images) in varying number of plates (4 and 8); each time drawing off the space and surrounding area. The work speaks of the deep abyss and void that is sucking the world away.'
Adonia Hirst, Nancy Paulangelo